Hi again. Well, I hope everybody had a wonderful Christmas (or whatever your religious equivalent may be). Mine was good, very busy, not sure where the last two weeks went. I didn’t have much work, just a two-hour outcall last Friday. The phone was busy right enough, but they were mostly chancers calling on the day hoping for a booking. I’m not sure how many times I have to say that I don’t take same day appointments. I can only assume that as usual they were chaps who couldn’t spare the two minutes it takes to read the blurb and just picks up the phone as soon as they look at the pictures. I would even go so far as to say that there was a touch of thoughtlessness in there too that they would assume that at such a busy time in the holidays I would be sitting here with nothing better to do other than to wait for their call. As usual it was their loss.
Okay, I’m now pulling out my finger and posting up my wonderful pics of my day out to the National Gallery from the
23rd December. I couldn’t take pictures of the portraits themselves, no photography was allowed. I’m not sure if I would’ve anyway. When you’re in the company of such artistry you can’t help but feel a touch of reverance towards them. You’d have to take my word for it when I tell you what an absolutely wonderful experience it was and it’s something I’m not likely to forget for a very long time.
The day in itself was crap weather-wise, it was raining off and on all day. Being the Friday before Christmas, London was very busy, it seems the weather did nothing to dampen anybody’s enthusiasm. Lots of tourists were taking
pictures of Nelson’s Column and other landmarks. It was a dash to get to the Sainsbury Wing of the National Gallery, where the exhibition was held. The tickets were timed and mine was for 1pm. And I could see why. You should’ve seen the queue for people who didn’t have tickets that were hoping to get in. And for those with tickets it was timed so that the exhibition didn’t get too crowded at any one point.
After I picked up the audio equipment and headset I made my way to the start of the exhibition, which was very extensive, covering several rooms and another floor. All the portraits were numbered, as were the sketches. The sketches themselves (you can see one in one of the magnets in the photos) were rough drawings of what was to become a painting; different body parts, the mechanics of the flow of a cloak, things like that. To look at these and think that Leonardo Da Vinci was sitting at his table doodling them was mind-blowing. Some of the portraits on display were The Lady with an Ermine (an ermine being the sign of purity because of its white coat), The Virgin of the Rocks, the Madonna Litta and The Burlington House Cartoon to name but a few. They saved The Last Supper ’til the end and a lump came to my throat when I walked into the final room (the Sunley Room) of the exhibition. I’m sure where they hung it it was supposed
to have a breathtaking effect when one walks into the room and indeed it did. You couldn’t take your eyes off of it. They had the original (copy) inside the room itself, with another copy one of his sympathisers, Giampietrino, painted on a wall just inside the entrance. And again there were rough sketches Da Vinci did of The Last Supper; Judas’s head, John The Baptist’s hand, etc. One thing I never noticed was this: when you look at the portrait, you’ll see groups of threes of things; the disciples in threes, the trees in the background in threes and the windows in threes. What we saw is a copy of the original. The original itself was painted on to a wall but was considered a ruin as it had taken Da Vinci 20 years to finish therefore deemed unstable as the paint on the wall had flaked after so many years, hence the copies. The original painting is still on the wall of a convent in Santa Maria delle Grazie Milan. I hope that made sense.
An exhibtion such as this leaves an indelible mark on you and it’s something I know I’ll carry with me for the rest of my life. And of course to commemorate my visit was the obligatory visit to the gift shop. I just had to take away a few mementos with me. 12 years ago I had bought some things to commemorate my visit to the Van Gogh Museum in the Netherlands and I don’t know where they are now. I have to make sure the same fate doesn’t befall these. I haven’t even dared open the book yet, it’s still in its cellophane.
Afterwards I thought I’d pop along to Jermyn street off Haymarket, see if I could pick up some posh smelly cheese at Paxton and Whitfield. I wanted to get some Stinking Bishop, the cheese made famous in the Wallace and Gromit movies. The queues put paid to that idea. When I got there the queue was bent double, with a waiting time of up to 40-50mins. Sod that, I thought. One thing I don’t do is wait in a queue for food. 5-10mins maybe, anything longer than that, forget it. That’ll teach me to leave it until the last minute. Never mind. On one of my days out I’ll be sure to stop by again when it’s not seasonal and there’s no mad rush.
All in all it was a brilliant day. I’ve had a look at the National Gallery’s website to see what exhibitions they’re going to have for 2012. It seems they’ll have a Turner exhibition, but I’m afraid it doesn’t grab me like the Da Vinci one did. Ideally I’d like to go back to Amsterdam to the Van Gogh museum. Now that would be brilliant.
I still have the British Library on my list to visit. I should do that before I go back to civvy street and my time becomes limited. I’ll see what the next couple of months bring.


